Yes indeed. It’s true. I was going to entitle this written prose Two Decades Under The Influence, or a similar derivative, toying with the idea of sliding in an intended fan-verified pun, recycling and distorting the title of one of Taking Back Sunday’s most distinguished and memorable cuts repurposing it for recounting the bells and whistles of the New York outfit’s celebrations of twenty years as a rock band. Yet, after stumbling upon one review after another from media outlets and publications on the Interweb employing exactly said double entendre, I profusely discarded the embryonal idea, letting it symbolically escape out of my conceptual editorial window. Don’t get me wrong here, it’s a brilliant and funny witty little joke that addresses and presumably pleases both long-time avid supporters as well as occasional in-n-out “fast-food” listeners of the group, but hey, enough is enough and we all know that even a delicious tomato soup meal can become nauseatingly redundant if repeatedly served every single day. Notwithstanding the above, however, there should at this point be an important content disclaimer for the whole entire esteemed readership willing and wanting to continue progressing with a perusal of the present blogpost; this owned and operated body of text deals with the most influential band on yours truly, a band that started it all for this site – one that even named this web property, for Christ’s sake – and a group whose compositions and performances have even made it onto my very epidermis and heart, straight as an arrow, multiple times.
What one should take away from such an eloquent and explicit warning, I figure, is that a miscellaneous semiotic salad of insider knowledge, pre-existing notions, double entendres, puns, and subtle wordplay references are to be abundantly expected throughout this creative appraisal. For better or worse, whether we like it or not, I can’t help it and you can’t either. It all starts with the title appointment of this post ending up being Twenty-Twenty Surgery, partly honouring a much overlooked and under-appreciated track off Taking Back Sunday’s biggest and most successful album, Louder Now, but mainly inherently implying a birthday wish to the band for as many more years of thriving artistry as the ones they’ve just left behind them. Anyway, I guess this is the final call to provide you all with the newsflash component of this update, before we get irreconcilably lost in digressive by-topical rabbit holes. Yesterday, Friday 11th January 2019, was a majestically important day for Taking Back Sunday. Yesterday, the alternative rockers officially released their fabulous career-retrospective 21-track compilation, dubbed Twenty for the occasion. The LP aims at celebrating and cherishing their best work over a long and accomplished journey as a band, that started at some point back in 1999. This 20th anniversary collection of tracks features shortlisted best-of cuts off all of their seven studio albums, starting from their 2002 seminal and trailblazing angsty emo debut Tell All Your Friends coming all the way to their most recent solid rocker LP Tidal Wave, dropped in 2016 to decent critical acclaim.
What’s gnarly about this compilation is that Taking Back Sunday actually included two brand new songs in it, both written and recorded just after the start of their last tour in support of Tidal Wave a few years ago. The first of two numbers, “All Ready To Go“, doubles as de facto promotional single for the wider release, and sounds very much like a big, dense, stomping amalgamation of all the differently related arena rock sounds the band has been flirting with ever since their 2010 reunion with the original formation, involving founding members John Nolan on guitars and Shaun Cooper on bass (although, to be honest, the track’s sound aesthetics lean more skewedly towards Happiness Is and Tidal Wave, than their 2011 come-back eponymous release). “All Ready To Go” kicks in heavily with a signature Mark O’Connell drum fill beat and a bouquet of water-falling guitars, before making space for a calmer and fuzzy bass-driven verse, flowing into a grand and potent chorus in which lead singer Adam Lazzara warningly shouts “I was livid and you weren’t listening / It didn’t matter cause you were leaving / You were all ready to go / You were all ready to go / You were all ready to go / Already gone“, perhaps uncannily alluding at the recent bittersweet departure of other founding long-time member and rhythm guitarist, Eddie Reyes. Nonetheless, it’s on the second exclusive new track, “A Song For Dan”, that the group seriously sets their artistic phasers to stun, with a sensational and heartfelt piano-led song discussing survival’s guilt and weaving in both an epic structural crescendo and an overall dramatically outstanding vocal performance by Adam:
To switch it up from such a melancholically somber spot, here’s a little piece of trivia for you all: it turns out it was drummer Mark who actually started it all for the track, coming up with the initial rough melodic draft as well as the overarching thematic subject matter the song ended up encapsulating: “You’re too far gone / To know where it goes / And I know you’re not coming home / Done too much wrong to know what’s right / And it’s too late to say goodbye“. Albeit perhaps surprisingly to some, those familiar with the Long Island emo veterans should know that Mark is not new to coming up with excellent and beautiful “early-days” riffs, licks, and motives that provided the backbone foundation for some of Taking Back Sunday’s most convincing and solid songs in their entire discography, such as the punk-rock stunner “Tidal Wave” or the gorgeously dark, vintage, sunburnt gem “This Is All Now“. Maybe it isn’t that surprising after all, that for a seasoned twenty-year-old band, who during the course of its life went through multiple incarnations, transformations, and line-ups – including charismatic scene veterans such as Jesse Lacey, Fred Mascherino, and Eddie Reyes – the longest serving member to date would be that best equipped to faithfully originate and translate the group’s zeitgeist into a sonic consensus that can still speak and resonate in such a captivating way with the audience. A special mention here is also due for frontman Adam – incidentally the other longest active member in the band – who after ramping up on his sound engineering and production knowledge by attending a specific programme on the subject during his spare time, saw fit to double as sound engineer for said two new tracks, saving the quarter a substantial amount of money and awkward producer-artist conversations in the studio.
Obviously, Taking Back Sunday is bringing the whole celebratory shebang on a global album-play tour, whereby for most legs of the live run faith and fortune will decide which combination of their first three albums (Tell All Your Friends, Where You Want To Be, Louder Now) the group is going to perform in full when and in which city. Which brings up a good point, frankly an unavoidable one whenever best-of compilations come into play; namely the quality and nature of the actual shortlist of songs that made the cut for the retrospective musical statement. So, let us get this right: Twenty, despite its name, actually sports twenty-one songs, two of which are the brand new tracks we just went through above. That leaves us with nineteen repertoire songs, split between seven full length albums to choose from. A quick skim through the tracklist reveals how some records (Louder Now, with four tracks) are more represented than others (New Again, self-titled, and Happiness Is only provide two tracks to the compilation). Which is obviously fine and, truth be told, pretty legit and in line with the mainstream fans’ appreciative leitmotiv over the years, let alone the actual commercial success of some of those albums. However, there is one big elephant in the room that oughta be addressed at this stage, since we’re looking back at the whole artistic evolutionary arch of the group: New Again. The album that no one seems to enjoy and fully appreciate, fans and band alike. A personal favourite, but whose recording sessions in the studio were rumoured to be among the hardest and toughest the band ever had, with newbie lead guitarist Matt Fazzi acting as the wild card/odd man out and the unpleasant blather heard sneaking through the grapevine alleging that all of Eddie Reyes’ guitar parts got secretly re-recorded, unbeknownst to most in the camp at the time. New Again was the studio effort supposed to follow the world-wide stirring exceptional success and excellence of Louder Now, only failing miserably both in terms of fans/critical reception and sales.
Look, I always have and forever will carry a ginormous soft spot filled with admiration and adulation for the 2009 LP (read: New Again, for the fast foodies). As far as a full album-listening experience goes, its curated sonic roughness, compositional resilience, patchwork of odd experimental time signatures, aggression of crunchy delivery, sublime guitar/bass work, and lyrical baggage, simply speak to me on a higher level than any other work outputted by the band, full stop. With that being said, I do believe that there are overall better individual songs found elsewhere in the New York outfit’s catalogue. Case in point, Where You Want To Be’s “A Decade Under The Influence“, “This Photograph Is Proof“, or “One-Eighty By Summer“. Still, to me New Again as a full length remains watertight, bullet-proof, and coherently unified from start to finish. Don’t @ on this one, as you wouldn’t even be reading these very lines on this very site if it weren’t the case. Yet all things considered, if Twenty as a collection of tracks walks like a duck, it should quack like a duck, and it is therefore only fair and compliant it faithfully reflects the band’s premiere musical output over the past twenty years in form of a best-of mixtape, in a relatively objective fashion and with the greater mass audience good in mind. With all this said and done: Dear Adam, John, Shaun, and Mark, here’s to another twenty years of marvellous career and success, continuing on your prime path of mending broken hearts, helping us decode relatable life experiences, enlightening darker times. But perhaps more importantly, here’s to maintaining a twenty-twenty vision on your mission to providing warmth and comfort to a myriad of scattered yet unified fans around the globe by way of goddamn good rock and roll tunes. We’re the lucky ones. 152.
I’d like to thank you sincerely for taking the time to read this and I hope to feel your interest again next time. And happiest 20th birthday to Taking Back Sunday this time around.