SAPPY NEW YEAR | 5th January, MMXVII

Well hello there esteemed readers, welcome back to a fresh and shiny new solar year, called 2017!

I really do hope everyone has had a chance to spend happy and healthy holidays with their loved ones, whichever festivities one may adhere to. I had some fantastic time off at home and skiing on the Swiss Alps. I also got the best Christmas present I’ve ever received in form of a kickass necklace with two splendid pendants that represent two of my biggest passions in life and for that matter the whole single reason why I started this site in the first place (read this if you’d like to know more about it, + pic of said best Christmas present below). Before we go any further, I’d also like to take the occasion to wish every single one of you a wonderful and passionate new year from the whole team at Everything Must Swing, which in all true honesty it’s just me, no one else really. Nonetheless, I would like for everyone’s onboarding on the new collection of 365 days into a single unity to be as passionate and inspiring as possible, and therefore I thought I’d come up with scattered bits and pieces listing some of the things that are getting me excited during the first days of 2017.

First of all, do yourself a favour and give a listen to the whole Frank Ocean‘s discography. It’s not immense, it starts with his debut mixtape nostalgia,ULTRA. (retrievable almost anywhere on the web with free download) and ends up with his latest, long-awaited LP Blonde that came out in August last year. In between these there’s the critically acclaimed first sensation studio album Channel ORANGE (released in 2012) as well as the totally unexpected, music-industry Trojan horse of a visual album Endless which came out a day before Blonde last Summer, however still only available through Apple Music. I’m suggesting to take a deep dive into his art because Frank Ocean is a pretty big deal. He used to be (or still is?) one of the most creative and daring members of the highly influential L.A. hip hop collective Odd Future and over time has received more praises and accolades in and out the music industry than almost anyone else in the past five to ten years. However, more than anything he’s a true R&B, soul sonic experimenter who has not been afraid to speak out on gender and sexuality issues as well as brilliantly setting up an elegant and refined strategy to screw a major record label – Def Jam Recordings/Universal, to be specific – through his double close-up release of Endless and Blonde. My personal take is that his music not only transcends genres and formats, but also possesses an extremely intense staying power, growing immensely on the listener at every new play. Try out for yourselves.

Secondly, in case you’re looking for some prompts and cues in terms of movies and television, I couldn’t recommend enough Dan Gilroy-directed thriller Nightcrawler, starring Jake Gyllenhaal and taking place in a dark and gloomy L.A. whenever one would like it to take place time-wise. Wikipedia says that the movie portrays “a thief who starts shooting live footage of accidents and crimes in Los Angeles, selling the content to a local news channel as a stringer while secretly sabotaging both crime scenes and other news reporters” and to be fair I think it’s a good description of what it is about. Yet beyond its plot I truly believe that the movie has some of the best on screen dialogues and cinematography around, and while it was released quite some time ago already, appears to remain more relevant than ever theme-wise hinting at modern society’s perverse and twisted relationship with breaking news as well as a long lasting crisis of contemporary journalism. Also, it’s no surprise given the excellence of the script and some of the exchanges in the movie that the producers even decided to release the movie script in full on the Interweb. Definitely worth a watch/read if you too like me enjoy dope convos, double meanings, and lightened lines while at the same time not sacrificing an engaging and suspenseful plot.

Third, this time moving to the literary dimension, I currently find myself deep in the reading of American author James Franco’s Actors Anonymous novel, published in 2013 and tracing parallel (mostly very weird) stories about different (mostly very troubled) actors in California. The semi-autobiographical book deploys heavy name-dropping and I believe borrows most of the storylines from James Franco’s own acting career, notably having starred in movies such as the first Spider-Man trilogy, Pineapple Express, Milk, 127 Hours and many more as well as having been nominated for an Academy Award for Best Actor in 2011. The novel’s tale is inspired by Alcoholics Anonymous’ famous 12 steps and 12 traditions by adapting them to the acting world and the Hollywoodian high entertainment industry as a whole, converting the book into a dark, genre-bending ensemble that – as stated before – shamelessly mixes personal memoir and quintessential fiction, not least scrutinising all sins and excesses of those involved in the maintaining of said industry. Extremely funny at times, the novel represent a true and profound insight into Franco’s take on what it really means to be acting and which higher purpose the whole activity oughta serve. Though above all the book might as well be considered a first-account collection of anecdotes, trivia and little behind-the-scenes stories about the world of global celebrities and world-famous actors that might otherwise have gone unheard, mostly because of the extent of shame and mercilessness involved. Or, as Franco puts it himself in the book’s frontispiece: “Hollywood has always been a private club. I open the gates. I say welcome. I say, look inside”. Give the book a read if you’ve ever wondered what happens to big entertainment stars in between movies and projects.

Well I guess that’s about it for now, as you can see I’ve touched upon three fundamental artistic formats (music, film and book) so as to try to not overrepresent the Queen of them all – the sonic one – as it is usually the case with this site. To be fair, there could be other entertaining-escapist suggestions I could potentially be giving you for this rather downish period of the working year, such as a couple of other movies or TV shows I’ve been glimpsing at here and there, however I don’t want to feel like telling you too much what to do and see but I’d much rather give out some initial, core inspirations such as the above ones, from which then everyone goes on their individual journey to find what really enriches them perhaps ending up at a much different place than the starting one. Actually, looking back at my three artistic cues above I only now realise that there is indeed a deep, underlying theme that somehow connects them all: Los Angeles. That is, it turns out that the Californian city of Angels – unbeknownst to me – is the lowest common denominator to all Frank Ocean, Nightcrawler and Actors Anonymous, for many different reasons. Yet, the narration of how and what this comes to be might be as well be outside of the scope of this very blogpost, thus let’s just say that I’ll leave that to me alone by considering it my own personal artistic journey that has taken off out of those initial three ingredients. Now it’s your turn to make yours a reality. Enjoy (not so) responsibly.

I’d like to thank you sincerely for taking the time to read this and I hope to feel your interest again next time.

AV

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