ALEX REVIEWS MUSIC (ARM): SMASHING PUMPKINS – CYR | 2020-11-19

What’s interesting about undergoing a premature album review as it pertains to the creative output of alternative rock legends Smashing Pumpkins is that one year one could be serviced with a complete album spanning eight cuts and clocking in at just over half an hour of runtime, whereas another (zany) year one could be serviced […]

ALEX REVIEWS MUSIC (ARM): SMASHING PUMPKINS – SHINY AND OH SO BRIGHT, VOL. 1 | 2018-11-18

It’s been a long and winding two months since the last ARM dissecting assessment found its way onto the ethereal airwaves of this site, although I’m not exactly sure this has anything to do with the fact that here is the next one instalment in the acclaimed series. What I’m sure about is that quite […]

ALEX REVIEWS MUSIC (ARM): PUMPKINS & ODDISEE LPs / FAR FROM SAINTS SINGLE | 2023-02-05

Part requited commendation, part early-year new musical round-up, this missive comes by way of a collection of noteworthy projects that stood out to us of late. Both complete exploits and works in progress alike, each one alone might not warrant a whole chaptered entry by itself, yet gelled together they stoke a surprisingly elevated appeal. […]

ALEX REVIEWS MUSIC (ARM): ALBUMS OF THE YEAR 2020 | 2020-12-21

BRIAN FALLON — LOCAL HONEY (LESSER KNOWN RECORDS) THE STROKES — THE NEW ABNORMAL (RCA RECORDS) FAKE NAMES — FAKE NAMES (EPITAPH) FREDDIE GIBBS & THE ALCHEMIST — ALFREDO (ESGN / EMPIRE) GEORGE CLANTON & NICK HEXUM — GEORGE CLANTON & NICK HEXUM (100% ELECTRONICA) DOMINIC FIKE — WHAT COULD POSSIBLY GO WRONG (COLUMBIA RECORDS) […]

ALEX REVIEWS MUSIC (ARM): THE HELLA MEGA ALBUM REVIEW—3eb, JIMMY EAT WORLD, REFUSED | 2019-10-20

Rock and roll is dead, they say. Perished and gone past any point of salvation; de facto disappeared from the limelight. It’s undergoing a fundamental identity crisis, they allege, which started just at the turn of the the twenty-first century’s inaugural decade and slowly caused its vanishing from the charts, after nu-metal, emo, and garage […]

ON (SANDY) ALEX G’S MYSTICAL LOW-FIDELITY MELODY LAYERING | 2019-09-15

I’m just so unbelievably glad and fundamentally content that I stuck to my warm initial instinct and kept on believing its by-productized original hype, when it comes to Philadelphia-born singer-songwriter (Sandy) Alex G. Hailing from the somewhat overcooked and saturated strain of post-2010 homegrown, DYI, Zoomers-appealing bedroom-extraordinaries who conquered much of Bandcamp’s real estate during […]

ALEX REVIEWS MUSIC (ARM): THE STROKES – THE NEW ABNORMAL | 2020-04-11

It’s Easter where I am so thank God for The Strokes. Thank God for The Strokes and their inexplicable ability to turn trivial guitar riffs I could myself come up with within a few minutes of impromptu jamming into transcendental modern rock classics, assuming a whole form way, way bigger than the mere sum of […]